A strange and mysterious thing happened...

Yes, something strange happened last night. I was sitting at All-Star Sports, doing nothing, and then I decided to SKETCH BODY SITUATIONS. Now, for three years, I've tried to wrap my mind around FACES. I've poked and pinched and prodded my brain and my arm to understand and to render FACES. But rarely have I thought much about BODIES and the ACCESSORY OBJECTS of the craft of comic illustration. Oh, I've seen my fellow artists work hard and produce brilliant animals, vehicles, anatomy, et cetera, but I simply let "familiarity" nurture my own efforts (as I continued to dote on the face itself). Now, if you show me something, I can draw it. But that's not the same as remembering it or being creative with it. But, last night, I was thinking how sick I was of drawing lousy race cars and tigers and fish, to name a few of my lowly efforts (which I whipped-out from a flawed memory). So I started drawing on my lapboard. Hmm... I thought. ...I'm seeing immediate improvement on my old designs.... Hmm... And then it happened: I drew a cool-looking race car, and then a cool-looking female, and I was absolutely THRILLED. "Wait a second!," I thought. "I can do this all the time, with all the body situations! I can develop (and remember) excellent designs for each situation! For everything in life, actually! All sports, hobbies, characters, animals, et cetera, et cetera!!!" Wow. I didn't know how much fun I was missing. Man, I DRAW for a living. So, dude, DRAW. Work on that motorcycle, and when you get it good, and get that "thrill," draw it like that every time. And then, when someone wants to be drawn on a motorcycle, instead of cringing, I'll say GREAT! and whip-out my latest knock-'em-dead creation! Wow. Now I see it, now it SEE IT. Why didn't somebody tell me??!!! (By the way, thanks to Keelan for HIS designs. The race car I'm working on comes from his body situation display [as well as a few others]. I'm going back to the "source." lol)